Autumn's arrived in the Bay Area. I'm ripening hachiya, ordering a goose, thinking about confit and cassoulet.
Maps. I've just published a post about getting started with the Tegola vector tile server and OpenStreetMap data. Passion, too, there are words about passion. I'm excited about the possibilities of prototyping map ideas with a local copy of Tegola. Stay tuned.
Arts. I'm looking forward to performing with the Long Tone Choir on 3 Dec, 7:30p, at the Musicians Union Local 6, 116 9th Street in San Francisco, as part of Outsound Presents' Static Illusion Methodical Madness Music Series.
Always looking for new projects/opportunities; please be in touch.
Kenter Canyon Farms
November saw the launch of a completely redesigned and much-expanded site for Kenter Canyon Farms, a Southern California family farm that grows organic lettuces & greens, herbs, and fruits & vegetables. The site, built using Jekyll and ZURB Foundation, overflows with detailed and delicious recipes–believe me, I photographed and tasted them all–alongside a sampling of press from throughout their history and an interactive map showing the locations of the farmers' markets and retail locations where their produce is sold.
September brought the launch of a completely redesigned site for Roan Mills, a farmer/miller/baker/pasta maker based in Southern California. The site, which I built using Jekyll and ZURB Foundation, provides descriptions of each of those four Roan Mills initiatives and presents a full catalog of their product offerings, alongside recipes, press, and a map showing the locations of the farmers' markets where they sell as well as their soon-to-be-open bakery. I had the excellent good fortune to be able to photograph (& taste through) all their products and recipes.
Hello Tegola, or, Let's Talk about Your Vector Tile Geostack
A Nod to Passion
Megabytes at Kilofeet: The Telluride Ideas Festival and InfoZone
I knew something was up when, in September 2014, some old friends contacted me about a period of time long past. Turned out they were both drafting contributions to a volume entitled Social Media Archeology and Poetics, edited by Judy Malloy, another old friend. The MIT Press brought it out in August 2016 and, being under the impression I get namechecked in the Community Networking section, I decided to dust off an article I wrote after returning from the Telluride Ideas Festival in July 1993. It resided on the WELLgopher for many years and came out on paper, lightly edited, in Fringe Ware Review #3 (ISSN 1069-5656).