Films

Above: my studio in the basement of Building 960 at the Headlands Center for the Arts, where I was an Affiliate Artist from 2001-2003. I sealed the windows with thick black plastic sheeting and used the light table on the floor at left to directly expose lengths of 16mm film to create Hojas de Maíz. At home I still work at the desk in the center of that photo, configuring it one way for software development, other ways for working on still and moving image film projects.

Feel free to click through and read about any of the completed works listed below, several of which have screened fairly widely (for the experimental film genre).

• If, as it advanced, the countermap's counter twirled the map around and down, spiraling out from Salesforce Tower to Bolinas as unwaveringly as the boléro. (If Map #5) (2024)
• If, in paying tribute, the map plucked Gene Youngblood's given and surnames from Swedish and Alabamian geographies, contracting then expanding. (If Map #7) (2021)
• Remains to be Streamed #12. (If Map #4) (2020)
• All Hands On Banner Project (2017)
• Perch (a.k.a. My Roll for Peter) (2016)
• A Roll for Peter (2016)
• To No End Gathered (2012)
• Gutterball (2003)
• Hojas de Maíz (2002)
• Renga (1989)
• Twelve Random Developments and Other Stuff (1981)